O’Brien, James Patrick. Teaching Music. Singing
in Unison. New York, 1983. Pages 55-71.
SUMMARIZE:
Ø Introduction
· Singing used to be only music taught in schools
· Important still, especially in elementary, because:
- Instrument everyone owns
- Physical skill like walking and needs to not be neglected
- Fun individually or in group
- Social skill
· Lots of ways to teach singing, but needs to teach correct singing, and differences from talking
· Hearing songs/visual tools help pitch-matching
Ø Criteria for Selecting Songs
· Subject Matter
- Grade level appropriate (1st – animals, 5th – cowboy, work songs)
· Vocabulary
- Needs to be fairly well-known words
- One or two new words is good, but no more
· Musical Interest
- Should be singable
- Easy enough for kids, but still fun
· Musical Structure
- Age level-appropriate
- Range and Tessitura
· G and E above middle C is a good starting range for elementary
- Phrase Length
· Younger kids need shorter phrases
· Phrase length is function of tempo, though, so that will effect actual length
- Conjunct and Disjunct Movement
· Mostly use conjunct movement for kids, especially the younger ones
- Syllabic and Melismatic Movement
· Syllabic – one distinct pitch per syllable; best to use this, especially for younger kids
· Melismatic – several pitches per syllable; okay for some older kids
- Contour
· More direct, straighter contours are better for younger kids
- Key
· Key doesn’t matter too much, just as to how easy accompaniment is
· However, location of song in key can be useful (do-do, or sol-sol around do)
DISCUSS:
This article is interesting in that it discusses stuff that I have never
really thought about. As an
instrumentalist, I have, honestly, really thought very little about anything
related to singing. And, while I don’t
intend to teach general music (particularly elementary school level), I
certainly am keeping that option open and, therefore, this is valuable
information. All of this information
makes sense to me, but it’s good to understand it all like this.
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